To begin with, the film starts off pretty well, although the goings-on move at a lethargic pace. KUCH NAA KAHO has a lot to offer in terms of performances, a twist in the story, an emotion-charged second half and good visuals.īut it falters terribly in the screenplay department � the lifeline of any film. In view of the fact, you analyse the flick � the plusses and minuses � with a magnifying glass. KUCH NAA KAHO marks the directorial debut of Rohan Sippy, son of the celebrated Ramesh Sippy. Gradually, Raj is attracted to Namrata, but there's a hitch� After a series of meetings with potential brides, it becomes apparent to Namrata that finding a match for this particular suitor is not only a nightmare, but an exercise in futility. That person is Namrata, an employee of Raj's uncle.
To make matters worse, the person his uncle chooses as the matchmaker and go-between for these meetings is the same person Raj has already antagonised earlier. When Raj visits India for his cousin's wedding, his maternal uncle emotionally blackmails him into agreeing to meet some eligible girls. There is one issue they can't see eye to eye on: His mother wants him to settle down� Raj won't hear of an arranged marriage. Raj lives in New York with his mother, Dr. KUCH NAA KAHO is a shining example of a good story that takes off well, gathers momentum after a point, keeps your attention arrested, but starts limping towards the finale. There are times when a captivating story gets ruined due to a bungling screenplay.
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